Past Residents
Daniel Orozco, Writer - Marfa, Summer 2006
Daniel Orozco’s stories have appeared in Best American Short Stories, the Pushcart Prize Anthology, as well as in magazines like Harper’s, Zoetrope, McSweeney’s, and Story Quarterly. He was awarded a 2006 NEA Fellowship in fiction, and his story “Samoza’s Dream” was a finalist for a 2006 National Magazine Award in fiction. The story first appeared in McSweeney’s. In addition, his story “Officers Weep,” which first appeared in Harper’s, was selected by Joyce Carol Oates for inclusion in the Best American Mystery Stories 2005. A former Stegner Fellow and Jones Lecturer at Stanford, he teaches creative writing at the University of Idaho.
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Simon Ortiz, Writer and Poet - Galisteo, Summer 2000
Poet, writer, and storyteller, Simon Ortiz’s books include Woven Stone, From Sand Creek, and After and Before the Lightning. In the late 1980’s, Mr. Ortiz held official tribal positions as Interpreter and First Lieutenant Governor of Acoma Pueblo, his native community in New Mexico.
As a major Native American writer he insists on telling the story of his people’s land, culture, and community, a story that has been marred by social, political, and economic conflicts with Euro-American society. Ortiz’s insistence, however, is upon a story that stresses vision and hope by creative struggle and resistance to human and technological oppression.
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Rubén Palma, Writer - Marfa, Spring 2005
Born in Santiago, Chile in 1954, Rubén Palma grew up in one of Santiago’s larger, working-class quarters of that time. He left Chile in 1973, immediately following the coup. Since 1974, he has resided in Denmark and is now a Danish citizen. Employed by the Danish Red Cross since 1985, he is a member of the Danish Author’s Society and has published three works of fiction in Denmark to critical praise, Letter to Denmark, Meeting with Denmark, and The Trail We Leave. His two plays, To the Flesh--To the Heart and The Trade were published and performed in Denmark.
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V. Penelope Pelizzon, Poet, Writer - Marfa, Winter 2008
V. Penelope Pelizzon’s first poetry collection, Nostos (Ohio University Press, 2000), won the Hollis Summers Prize and the Poetry Society of America’s 2001 Norma Farber First Book Award. Other honors include a Discovery/The Nation Award, The Kenneth Rexroth Translation Award (for Umberto Saba’s poems from Italian), and the Campbell Corner Poetry Prize. Her poems and essays have appeared in Poetry, The Hudson Review, 32 Poems, The Kenyon Review, The Nation, The New England Review, and elsewhere. She is Associate Professor of English and Director of Creative Writing at The University of Connecticut.
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Mark Perlberg, Poet and Writer - Marfa, Spring 2002
Mark Perlberg is a founder and board member of The Poetry Center of Chicago and is the author of three books of poetry, The Impossible Toystore, The Feel of the Sun, and The Burning Field.
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Caryl Phillips, Writer - Marfa, Winter 2001
Caryl Phillips was born in St. Kitts, brought up in Leeds, England, and now lives in New York City. He is the author of three works of non-fiction and eight novels, as well as the editor of two anthologies. His latest novel, Dancing In The Dark, re-imagines the remarkable, tragic, little-known life of Bert Williams (1874-1922), the first black entertainer in the United States to reach the highest levels of fame and fortune. He is a Fellow of the Royal Society of Literature and has won the Martin Luther King Memorial Prize, a Guggenheim Fellowship, and a Lannan Fellowship.
“An almost idyllic retreat in a sumptuous landscape. A perfect place to both work hard and recharge the worn-out urban batteries.”
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Wang Ping, Writer, Poet - Marfa, Spring 2007
Wang Ping was born in China and came to USA in 1985. Her publications include American Visa (short stories, 1994), Foreign Devil (novel, 1996), Of Flesh and Spirit (poetry, 1998), The Magic Whip (poetry, 2003), The Last Communist Virgin (stories, 2007), all from Coffee House. New Generation: Poetry from China Today (1999), an anthology she edited and co-translated, is published by Hanging Loose. Aching for Beauty: Footbinding in China (2000, University of Minnesota Press) won the Eugene Kayden Award for the Best Book in Humanities; in 2002, Random House published its paperback edition. She is the recipient of National Endowment for the Arts, New York Foundation for the Arts, New York State Council of the Arts, Minnesota State Arts Board, and the Bush Artist Fellowship. She is associate professor of English at Macalester College.
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Richard Powers, Writer - Marfa, Spring 2005
Richard Powers has said, “fiction can travel anywhere, and probably should.” He is the author of nine novels that explore connections among disparate disciplines such as photography, artificial intelligence, music composition, molecular biology, game theory, and American business. His recent novel, The Echo Maker, which won the 2006 National Book Award, is a gripping mystery that explores the improvised human self and the even more precarious brain that splits us from and joins us to the rest of creation. His other novels include Three Farmers on Their Way to a Dance, Prisoner’s Dilemma, The Gold Bug Variations, Operation Wandering Soul, Galatea 2.2, Gain, Plowing the Dark, and The Time of Our Singing. He has been called one of the greatest American novelists of his generation.
“There’s something about the entire configuration--the spare Chihuahuan desert, the air of the Marfa Plateau, the openness of the town, the intensity of the surrounding mountains, the beautiful design of the new house--that makes it extraordinarily conducive to clarity and verbal focus.”
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Jose Manuel Prieto, Writer - Marfa, Summer 2008
Jose Manuel Prieto was born in Cuba and spent twelve years training and working as an engineer in the former Soviet Union before beginning a career as a writer and translator. His work, which includes essays, short stories, and translations, has been published all over the world. His novel Livadia appeared in the United States as Nocturnal Butterflies of the Russian Empire. He received a Latin American Fellowship from the John Simon Guggenheim Memorial Foundation in 2002, and in 2004-2005 was the Margaret and Herman Sokol Fellow at The Dorothy and Lewis B. Cullman Center for Scholars and Writers at The New York Public Library. He currently lives in New York and Mexico City.
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Mary Rakow, Writer - Marfa, Summer 2004
Mary Rakow, a native Californian, has a Masters Degree in Theological Studies from Harvard and a Ph.D. in Theology from Boston College. Her first novel, The Memory Room, was published in 2002. She was awarded a Lannan Literary Fellowship in 2003.
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Claudia Rankine, Poet - Marfa, Spring 2007
Claudia Rankine is the author of four collections of poetry, including, most recently, Don’t Let Me Be Lonely—an experimental project, blending poetry, essays and images, of which poet Robert Creeley wrote: “Claudia Rankine here manages an extraordinary melding of means to effect the most articulate and moving testament to the bleak times we live in I’ve yet seen. It’s master work in every sense, and altogether her own.”
Rankine’s work has been published in The Boston Review, jubilat, The Kenyon
Review, TriQuarterly and many other journals. She has also received numerous
awards. In her first year at Pomona, she will be teaching Poetry Movements.
Since the 1950s; Advanced Creative Writing: Poetry; and Introductory Poetry.
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Peter Reading, Poet - Marfa, Spring 1999
Mr. Reading was born in Liverpool, England, in 1947 and studied painting at the Liverpool College of Art. He is one of the most inventive and challenging poets in England. His language is brilliantly original, compassionate, and laced with acid humor. Mr. Reading was the first writer to hold a one-year writing Lannan residency in Marfa, Texas. In June of 1999 Mr. Reading read from his work composed during his residency, as part of Readings & Conversations.
He is a Fellow of the Royal Society of Literature in his native England. Reading is one of Britain’s most controversial poets: angry, gruesomely ironic, hilarious, heartbreaking, and prolific. His work is experimental, playing with formal traditions of English in liberating ways, and he has produced a body of work that is frequently interrelated across book titles. His poetry has been collected into three volumes by Bloodaxe (UK) and critical assessments of his work have been written by Neil Roberts, Sean O’Brien, and Anthony Thwaite. “Anger is a country Peter Reading has been colonising for years. . .his anger is expressed with classical clarity. Rage against the state of the nation, yes, but also rage against the darkness of death, exile, and inability to show love.” - The Observer (London)
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Sharifa Rhodes-Pitts, Writer - Marfa, Summer 2006
Sharifa Rhodes-Pitts is a journalist and essayist whose work has appeared in The New York Times, The Boston Globe, Africana.com, The Nation, TRACE, and Tansition Magazine, among others. Her book Harlem is Nowhere: A Journey to the Mecca of Black America is forthcoming from Little, Brown. She lives in New York City.
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Adrienne Rich, Poet - Galisteo, Spring 2000
Adrienne Rich received the Lannan Foundation Lifetime Achievement Award in 1999. Born in 1929 in Baltimore, Maryland, she has written more than sixteen books of poetry, including Midnight Salvage, Dark Fields of the Republic, and An Atlas of the Difficult World.
Her essay collections include What is Found There: Notebooks on Poetry and Politics; Blood, Bread, and Poetry; On Lies, Secrets, and Silence; and Of Woman Born: Motherhood as Experience and Institution.
While in residence Ms. Rich worked on a group of new poems.
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Ronald Suresh Roberts, Writer - Marfa, Winter 2002
Ronald Suresh Roberts, born in London and raised in Trinidad, practiced law on Wall Street and is currently working on the authorized biography of Nadine Gordimer.
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Andrew N. Rubin, Writer - Marfa, Summer 2007
Andrew N. Rubin is the author of Archives of Authority: Empire, Culture and the Cold War, forthcoming from the University of California, Berkeley Press. He is also the co-editor of Adorno: A Critical Reader and the co-editor of The Edward Said Reader, a New York Times Book Review notable book of the year. He has written on the subject of twentieth century culture and politics for magazines and journals including Alif: The Journal of Comparative Poetics, The South Atlantic Quarterly, The Journal of Palestine Studies, The Nation, The New Statesman, and al-ahram. He is Assistant Professor of English at Georgetown University.
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Mary Ruefle, Poet, Writer - Marfa, Spring 2007
Mary Ruefle is the author of ten books of poetry, most recently Indeed I Was Pleased With the World (Carnegie Mellon, 2007). Her poems and prose appear in several anthologies, including Best American Poetry, Great American Prose Poems, and The Next American Essay. Her one-of-a-kind erasure books have been exhibited in galleries and museums. Of these, A Little White Shadow was published by Wave Books in 2006. She has been awarded many honors, including an NEA, a Whiting Writer’s Award, and a Guggenheim. She teaches in the MFA Writing Program at Vermont College and lives in southern Vermont.
To write poetry, one must waste a good deal of time, one must simply “be,” one must wander around with no particular aim, and it is precisely from such a lacuna that poetry arises. It is hard to explain, like most important things. But in today’s world it has become harder and harder to waste time. Artists are desperate for the simplest thing on earth: being. The Marfa residency gave me that gift.
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Peter Sacks, Poet - Marfa, Summer 1999
Mr. Sacks’s books of poetry include In These Mountains, Promised Lands, and the recent Natal Command. He is also the author of The English Elegy: Studies in Genre from Spenser to Yeats.
Born in South Africa in 1950, he fled his native country during the apartheid era to avoid fighting racial wars in the army. He has said, “I was raised in South Africa. I am now an expatriate, but I am still caught up in that country’s history. My work in poetry has usually sought to balance an openness to physical beauty on the one hand against historical suffering on the other.”
Mr. Sacks, who teaches English at Harvard University, is also working on a book on Leonardo da Vinci. Mr. Sacks’s residency in Marfa lasted two months.
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Miriam Sagan, Poet and Writer - Marfa, Winter 2002
Miriam Sagan was born in Manhattan and raised in New Jersey. She holds a BA from Harvard and MA in Creative Writing from Boston University.
She is an acclaimed writing teacher and author of more than a dozen books of poetry, fiction, and non-fiction, including Archeology of Desire, Inadvertent Altar, The Widow’s Coat, Unbroken Line: Writing in the Lineage of Poetry, and The Art of Love.
She has taught writing at Santa Fe Community College, Taos Institute of the Arts, Aspen Writers Conference, and in workshops across the United States. She lives in New Mexico.
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Fred Sandback, Artist - Santa Fe, Spring 1999
In conjunction with Fred Sandback’s residency, the foundation exhibited work he created during his stay in Santa Fe. The exhibition at Lannan consisted of an installation created for the foundation’s main gallery and related drawings in the adjacent conference room and entranceway.
Mr. Sandback refers to his work as sculpture that “doesn’t take over space, but rather coexists with it.” His work consists of lines in space, created by common knitting yarn, that suggest volume.
Speaking of his sculptures, Mr. Sandback says he left “…discrete sculptural volumes for a sculpture which becomes less of a thing-in-itself, more of a diffuse interface between myself, my environment, and others peopling that environment, built of thin lines that left enough room to move through and around. Still sculpture, though less dense, with an ambivalence between exterior and interior. A drawing that is habitable.”
Mr. Sandback was born in Bronxville, New York, in 1943. He attended Yale University as an undergraduate, student of philosophy. He then transferred to the sculpture program at Yale University School of Art and Architecture, where he received both a B.F.A. in 1966 and an M.F.A in 1969. Since then Sandback’s work has been exhibited regularly in the United States and Europe. He died in New York in 2003.
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Explore Lannan
Jerry Mander and Vandana Shiva with Amy Goodman
29 June 2001
Mander and Shiva spoke about the impact of economic globalization on cultural diversity and cultural freedom, followed by a discussion moderated by Amy Goodman.
Continued...
From Cultural Freedom