Transparent: Opening Reception
Saturday 28 April 2012
313 Read Street
Peter Alexander is an American artist of the Light and Space movement, known for his resin sculpture, LAX paintings,… Read full bio.
Subhankar Banerjee was born in Berhampore, India in 1967. He spent his childhood there and received his bachelor’s… Read full bio.
Uta Barth is a photographer whose reductive and quiet images capture moments of observation of ordinary scenes. Like… Read full bio.
“There are no birds, bugs or animals on the Polar Ice Shelf. Nothing you can see. Just the wind and the sound of… Read full bio.
Gloria Graham is a New Mexico-based artist whose work is inspired by science, patterns of nature, time and social… Read full bio.
Morris Louis was born in Baltimore in 1912 and graduated from the Maryland Institute of Fine Arts in 1932. But it was… Read full bio.
“In anything I do, I don’t want the viewer involved with how it was done. The curiosity about how it was… Read full bio.
Delicate lines are seen in the work of Fred Sandback (1943–2003), whose minimalist sculptures outline planes and… Read full bio.
Kate Shepherd was born in New York City in 1961. She graduated from Oberlin College in 1989, after intermittent… Read full bio.
Iain Stewart is a Scottish photographer whose color landscape and seascape images adhere to a minimalist aesthetic.… Read full bio.
James Turrell is an American artist mainly concerned with spatial and natural effects. He was born in Los Angeles in… Read full bio.
About this Event
Transparent: Peter Alexander. Subhankar Banerjee. Uta Barth. Thomas Joshua Cooper. Gloria Graham. Morris Louis. Robert Moskowitz. Fred Sandback. Kate Shepherd. Iain Stewart. James Turrell.
Opening Reception: Saturday 28 April 2012 from 5 - 7 pm
Please read more about this exhibition in our Art section.
Lannan Foundation Gallery
28 April – 15 July 2012
Saturdays and Sundays from noon to 5pm (weekends only)
309 Read Street, Santa Fe, NM
Transparent presents painting, photography, sculpture and works on paper spanning over fifty years from the Lannan Collection. Each artwork embodies an aspect of the word transparent, from transmitting light so that what lies beyond is seen clearly, or being fine or sheer enough to be seen through, to work that is free from pretense or deceit, or that seems to allow the passage of X-ray or ultraviolet light.
The various forms transparency takes are exemplified throughout the exhibition as in Morris Louis’s Veil series painting from 1954, in which thin layers of paint are applied to create a veil-like surface. In Peter Alexander’s 1968 untitled resin sculpture, light passes through the wedged tower, creating a similarly hued smoky shadow beyond. In Subhankar Banerjee’s Sky: Often I Look Up and Wish for Rain, 2009, one barely sees through clouds while in the photographs of Thomas Joshua Cooper and Iain Stewart it is fog that provides the filter. Conversely, the geometry of a form becomes clear in the sculptural relief work of Fred Sandback and the empty box paintings of Kate Shepherd. Robert Moskowitz’s grand 1972 painting Yellow Circle evokes a see-through layering of space similar to collage while James Turrell’s aquatints from his Deep Sky series radiate X-ray-like light from an undetectable source. The textures of Salt/Granite/Nickel by Gloria Graham are conveyed through layers of paper while the sparse photographs of Uta Barth capture light through domestic scenes of windows and draperies.
The work assembled for the exhibition Transparent is an homage to the practice of operating in such a way that it is easy for others to see what actions are performed, implying openness, communication, and accountability.
This is a Lannan Art Event. Please read more about this exhibition in our Art section.
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